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  • All fields: 1960-1970
(51 results)



Display: 20

    • Evening dress

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    • White silk crepe double-breasted evening dress is typical of the high fashion look of the 60s. Norman Norell, leading American designer, is known primarily for his hand sequined evening clothes. His genius in design derives from his background as a...
    • Evening dress

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    • Multi-color empire waist evening dress in rayon jersey with handkerchief hem. The bold primary colors are typical of fashion in the 60s and 70s
    • Casual/festive wear

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    • 1960s metallic's in short midriff top and toreador pants. The translation of basic casual clothing shapes into evening and festive wear with metallic and beaded high end fabrics is a hallmark of the designer (Jimmy Newcomber, illustrator)
    • Evening shift dress

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    • Indian sari silk cut into a short evening straight shift with bordered front and back panels in complementary domestic mohair and metallic knit. The influence and use of ethnic fabrics in mainstream fashion design is in large measure a result of...
    • Twiggy

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    • African dress with wood and glass beads and linen; gold brown paillettes with bronze plastic applique (Bert Stern, photographer)
    • Mini dress

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    • Mini dress in the Pop Art style influenced by Warhol, Lichtenstein, etc. The jersey dress is cut in T-shirt style (Jean-Claude Sauer, photographer)
    • Tunic dresses

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    • The tunic and empire style is printed Italian silk jersey. These multicolor, multi-patterned simple tunic dresses are printed in every conceivable fabric from the cheapest man-made fabrics to the ultimate original light-as-air silk jersey. They are...
    • Mini dress

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    • Jean Shrimpton, a well known model at the time, poses in a typical mini party dress (Gentlemen's Quarterly, November 1967))
    • Girl in park

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    • Ethnic prints, especially those based on Middle European challis printed head scarves, are very popular, in particular with the young
    • Mondrian dress

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    • Seminal Mondrian jersey dress which influences every area of garment and home furnishings design for the next five years. Presented in a Saint Laurent collection based on the bold geometric block paintings of the Dutch painter (Richard Avedon,...
    • Sketch

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    • Original James sketch shows style lines developed into his unique silhouette by moving the classic princess line
    • Butterfly dress

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    • Beige Moygashel linen bias cut shift. This garment illustrates the quality that is achieved in the post war Seventh Avenue garment industry (Richard Avedon, photographer; Harper's Bazaar, June 1961))
    • Dress

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    • Beautifully tailored marine blue wool dress with organza double collars (Helmet Newton, photographer)
    • Shirt dress

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    • Shirt dress with contrasting checked skirt and matching scarf, black suede belt and knee-high suede boots
    • Day dress

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    • Printed wool challis empire-waisted day dress with matching head scarf. Worn with black tights and pumps
    • Sportswear

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    • The pant suit for women is introduced in the late 60s. This one shows a new twist in that the suit coat is full-length (Antonio, illustrator; The New York Times, August 28, 1966)
    • Gaucho pant outfit

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    • Brown herringbone tweed gaucho pants with guinea hen feathered short vest over grey satin turtleneck shirt. Shown with grey suede belt and knee-high boots
    • Pants outfit

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    • Two-piece pants and tunic top in light jersey crepe with iris and white band collar. Rounded patch pocket pants include self fabric ankle ties
    • Lingerie

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    • Bras in nylon and nylon tricot. Girdles in spandex and lycra are first used in undergarments in the late 1960s (Warner's Berlei, Lovable; Philip Castle, illustrator)
    • Daytime outfits

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    • Brass jersey shirt, brass and orange check wool vest and skirt bordered in brass suede. Brass suede cardigan coat lined in matching jersey

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