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All Collections
  • All fields: Garment
(118 results)



Display: 20

    • Bag, Garment

    • Bag, Garment
    •  

    • Textile, rectangular bag. Rachus, women's red shoulder scarves, worn in dzongs, government offices, other official or religious places. These are the women's equivalent of the men's kabney. They are elaborately colored to signify one's social rank,...
    • Lentz Collection
    • Bag

    • Bag
    •  

    • Textile, rectangular bag. Rachu. Women's red shoulder scarves, worn in dzongs, government offices, other official or religious places. These are the women's equivalent of the men's Kabney. They are elaborately colored to signify one's social rank,...
    • Lentz Collection
    • Bag

    • Bag
    •  

    • Textile, rectangular bag. Rachu. Women's red shoulder scarves, worn in dzongs, government offices, other official or religious places. These are the women's equivalent of the men's Kabney. They are elaborately colored to signify one's social rank,...
    • Lentz Collection
    • Bhindi or Bundri

    • Bhindi or Bundri
    •  

    • Textile Bhindi or bundri, a cloth from eastern Bhutan used for carrying various items such as other textiles, is in good condition. It is of silk and cotton and consists of three panels sewn together. There is a swastika design, an auspicious and...
    • Lentz Collection
    • Bag

    • Bag
    •  

    • Textile, rectangular bag. Rachus, women's red shoulder scarves, worn in dzongs, government offices, other official or religious places. These are the women's equivalent of the men's Kabney. They are elaborately colored to signify one's social rank,...
    • Lentz Collection
    • Kushuthara Kira

    • Kushuthara Kira
    •  

    • Blue Kira. Textile Kushuthara Kira. A Kira, which is a traditional Bhutanese womans dress is in Kushuthara design. This Kushuthara consists of three panels and is unfinished on the reverse. There is an elaborate weft patterning design consisting of...
    • Lentz Collection
    • Bag

    • Bag
    •  

    • Textile, rectangular bag. Rachu. Women's red shoulder scarves, worn in dzongs, government offices, other official or religious places. These are the women's equivalent of the men's Kabney. They are elaborately colored to signify one's social rank,...
    • Lentz Collection
    • Butterfly dress

    • Butterfly dress

    • Wragge, B. H.

    • Beige Moygashel linen bias cut shift. This garment illustrates the quality that is achieved in the post war Seventh Avenue garment industry (Richard Avedon, photographer; Harper's Bazaar, June 1961))
    • History of Costume
    • Cort-hardie (men)

    • Cort-hardie (men)
    •  

    • The kirtle over a chemise continues as the basic garment. The cote-hardie is a new and more fitted garment. Over the kirtle, it is fitted through the torso by lacing or buttoning. It has a full, knee-length skirt. Sleeves are fitted to the elbow,...
    • History of Costume
    • Child in chair

    • Child in chair

    • Children

    • Studio portrait of an unknown child seated on an upholstered chair. The child wears a garment of narrow-striped cloth with two parallel rows of metal buttons running down the front and light-colored eyelet cloth at the hem and collar.
    • Willa Cather Images Gallery
    • Evening dress

    • Evening dress
    •  

    • From Great Costumes. A satin evening dress embroidered with pearl and bugle beads. The baroque pattern, small at the top and large at the bottom, is scaled to reflect the overall shape of the garment. Notice the plume-trimmed, velvet opera cape and...
    • History of Costume
    • Women's dress

    • Women's dress

    • Barbier, George, 1882-1932

    • From Le Bonheur du Jour. Hemlines are uncertain, at first moving up and down. The dress is often bias cut and gathered into a drop waistline. No fastening is needed; the garment pulls easily over the head
    • History of Costume
    • Evening gown

    • Evening gown

    • Boulay, Jacques

    • Evening gown of mauve satin gauze and purple crepe de chine with a mauve chiffon underskirt. This is the actual garment. The Iribe sketch can be seen in 1.14
    • History of Costume
    • Morning glory

    • Morning glory

    • Lucile, 1862-1935

    • This pink-lined skirt and pale pink georgette tunic top are suitable for day wear. The long lace camisole shown at the bodice contrasts with the sheer fabric skirt over a matching lining. Uniquely, the outfit is worn under a single sheer jacket...
    • History of Costume

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