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(121 results)



Display: 20

    • Cape

    • Costume (mode of fashion) ;Clothing ;Capes (outerwear)
    • Heavy black cape. Embroidery, cording and beading in leaf and curving design, in three horizontal tiers. Fur at collar and down CF opening. 1 large hook & eye closure CF
    • Cape

    • Costume (mode of fashion) ;Clothing ;Capes (outerwear)
    • Heavy black cape. Embroidery, cording and beading in leaf and curving design, in three horizontal tiers. Fur at collar and down CF opening. 1 large hook & eye closure CF
    • Cape

    • Costume (mode of fashion) ;Clothing ;Capes (outerwear)
    • Heavy black cape. Embroidery, cording and beading in leaf and curving design, in three horizontal tiers. Fur at collar and down CF opening. 1 large hook & eye closure CF
    • Cape

    • Costume (mode of fashion) ;Clothing ;Capes (outerwear)
    • Heavy black cape. Embroidery, cording and beading in leaf and curving design, in three horizontal tiers. Fur at collar and down CF opening. 1 large hook & eye closure CF
    • Cape

    • Costume (mode of fashion) ;Clothing ;Capes (outerwear)
    • Heavy black cape. Embroidery, cording and beading in leaf and curving design, in three horizontal tiers. Fur at collar and down CF opening. 1 large hook & eye closure CF
    • Cape

    • Costume (mode of fashion) ;Clothing ;Capes (outerwear)
    • Heavy black cape. Embroidery, cording and beading in leaf and curving design, in three horizontal tiers. Fur at collar and down CF opening. 1 large hook & eye closure CF
    • Cape

    • Costume (mode of fashion) ;Clothing ;Capes (outerwear)
    • Heavy black cape. Embroidery, cording and beading in leaf and curving design, in three horizontal tiers. Fur at collar and down CF opening. 1 large hook & eye closure CF
    • Cape

    • Costume (mode of fashion) ;Clothing ;Capes (outerwear)
    • Heavy black cape. Embroidery, cording and beading in leaf and curving design, in three horizontal tiers. Fur at collar and down CF opening. 1 large hook & eye closure CF
    • Butterfly dress

    •  
    • Beige Moygashel linen bias cut shift. This garment illustrates the quality that is achieved in the post war Seventh Avenue garment industry (Richard Avedon, photographer; Harper's Bazaar, June 1961))
    • Cort-hardie (men)

    •  
    • The kirtle over a chemise continues as the basic garment. The cote-hardie is a new and more fitted garment. Over the kirtle, it is fitted through the torso by lacing or buttoning. It has a full, knee-length skirt. Sleeves are fitted to the elbow,...
    • Silk pleated skirt

    •  
    • Silk pleated skirt. ""Horse-face Skirt"" - This woman's garment, made up of a pair of aprons, is of nomadic origin borrowed from the steppe people. This type of garment was constructed of two identical aprons, each consisting of a pleated panel...
    • Man's jacket in modified Manchu style

    •  
    • Jacket with Manchu influence in neck-line. The main body of garment and sleeves is red embroidered with multi-color floral and butterfly designs. The pairing of the designs between left and right sides of jacket denotes a happy marriage. In...
    • Child in chair

    • Children
    • Studio portrait of an unknown child seated on an upholstered chair. The child wears a garment of narrow-striped cloth with two parallel rows of metal buttons running down the front and light-colored eyelet cloth at the hem and collar.
    • Evening dress

    •  
    • From Great Costumes. A satin evening dress embroidered with pearl and bugle beads. The baroque pattern, small at the top and large at the bottom, is scaled to reflect the overall shape of the garment. Notice the plume-trimmed, velvet opera cape and...
    • Undergarments

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    • From Gazette du Bon Ton. Corsets are reduced to a two-piece garment. The step-in lingerie and negligees are reminiscent of the First Empire
    • Checkered suit dress

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    • From Gazette du Bon Ton. A checkered suit dress with a trim hat. The coat suggests a man's cutaway. Trim emphasizes the line of the garment
    • Women's dress

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    • From Le Bonheur du Jour. Hemlines are uncertain, at first moving up and down. The dress is often bias cut and gathered into a drop waistline. No fastening is needed; the garment pulls easily over the head

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