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    • Coach No. 5, Minerals Found

    • BURLINGTON PROFITABLE PORK SPECIAL AGRICULTURAL EXTENSION WORK AGRICULTURAL EDUCATION SWINE FEEDING FEEDS AGRICULTURAL EXHIBITIONS
    • Coach No. 5, Minerals Found In Alfalfa, Tankage, And Milk, Exhibit, October 2-25, 1929. Description: Coach No. 5 - Profitable Pork Special in Nebraska, October 2-25, 1929. Devoted entirely to feeds and feeding. The first part of it was about...
    • Self-Feeding Exhibit, Profitable

    • AGRICULTURAL EXTENSION WORK AGRICULTURAL EDUCATION SWINE FEEDING FEEDS BURLINGTON PROFITABLE PORK SPECIAL AGRICULTURAL EXHIBITIONS
    • Self-Feeding Exhibit, Profitable Pork Production Special, October 2-25, 1929. Description: Coach No. 5 - Profitable Pork Special in Nebraska, October 2-25, 1929. Description: This train was devoted entirely to feeds and feeding. The first part...
    • Eugene C. Reed

    • Geologic History; Geology; Historical
    • Eugene C. Reed joined the staff of the Conservation and Survey Division as a geologist in 1933. Becoming Associate Director in 1944, he toiled at the survey during Condras declining years before being named Director in 1954. Reed stressed the...
    • Biomechanics

    •  
    • As a counterweight to Stankslavsky's 'System' Meyerhold created his own system of actors' training he called Biomechanics which developed the actor's ability consciously to direct his body and voice ; it provided an acute sense of tempo and rhythm...
    • Biomechanics

    •  
    • As a counterweight to Stankslavsky's 'System' Meyerhold created his own system of actors' training he called Biomechanics which developed the actor's ability consciously to direct his body and voice ; it provided an acute sense of tempo and rhythm...
    • Biomechanics

    •  
    • As a counterweight to Stankslavsky's 'System' Meyerhold created his own system of actors' training he called Biomechanics which developed the actor's ability consciously to direct his body and voice ; it provided an acute sense of tempo and rhythm...
    • Biomechanics

    •  
    • As a counterweight to Stankslavsky's 'System' Meyerhold created his own system of actors' training he called Biomechanics which developed the actor's ability consciously to direct his body and voice ; it provided an acute sense of tempo and rhythm...
    • Biomechanics

    •  
    • As a counterweight to Stankslavsky's 'System' Meyerhold created his own system of actors' training he called Biomechanics which developed the actor's ability consciously to direct his body and voice ; it provided an acute sense of tempo and rhythm...
    • Biomechanics

    •  
    • As a counterweight to Stankslavsky's 'System' Meyerhold created his own system of actors' training he called Biomechanics which developed the actor's ability consciously to direct his body and voice ; it provided an acute sense of tempo and rhythm...
    • Biomechanics

    •  
    • As a counterweight to Stankslavsky's 'System' Meyerhold created his own system of actors' training he called Biomechanics which developed the actor's ability consciously to direct his body and voice ; it provided an acute sense of tempo and rhythm...
    • Biomechanics

    •  
    • As a counterweight to Stankslavsky's 'System' Meyerhold created his own system of actors' training he called Biomechanics which developed the actor's ability consciously to direct his body and voice ; it provided an acute sense of tempo and rhythm...

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