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(43 results)



Display: 20

    • Miracle, The

    •  
    • Norman Bel Geddes's setting for The Miracle as staged by Max Reinhardt. In the early 1920s Norman Bel Geddes fierce drive brought him several commissions from the Metropolitan Opera, the Chicago Ballet, and producers William A. Brady, Morris Gest,...
    • Miracle, The

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    • Norman Bel Geddes's setting for The Miracle as staged by Max Reinhardt. This sectional plan shows the arrangement of the scenery and the machinery in the theater after it was converted to look like a medieval cathedral. In the early 1920s Norman...
    • Miracle, The

    •  
    • Norman Bel Geddes's setting for The Miracle as staged by Max Reinhardt. This sectional plan shows the arrangement of the scenery and the machinery in the theater after it was converted to look like a medieval cathedral. In the early 1920s Norman...
    • Miracle, The

    •  
    • Norman Bel Geddes's rendering of a stained glass window for The Miracle as staged by Max Reinhardt. This is one of thirty-six windows designed to be 86 feet high at the sides of the chancel. In the early 1920s Norman Bel Geddes fierce drive brought...
    • Miracle, The

    •  
    • Norman Bel Geddes's set design, The Inquisition Mob, for The Miracle as staged by Max Reinhardt. In the early 1920s Norman Bel Geddes fierce drive brought him several commissions from the Metropolitan Opera, the Chicago Ballet, and producers...
    • Miracle, The

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    • Norman Bel Geddes's costume design, Falcon Keeper. In the early 1920s Norman Bel Geddes fierce drive brought him several commissions from the Metropolitan Opera, the Chicago Ballet, and producers William A. Brady, Morris Gest, and Winthrop Ames....
    • Miracle, The

    •  
    • Norman Bel Geddes's costume design, Chief Gypsy or Jester. In the early 1920s Norman Bel Geddes fierce drive brought him several commissions from the Metropolitan Opera, the Chicago Ballet, and producers William A. Brady, Morris Gest, and Winthrop...
    • Miracle, The

    •  
    • Norman Bel Geddes's set design, The Inquisition, for The Miracle as staged by Max Reinhardt. In the early 1920s Norman Bel Geddes fierce drive brought him several commissions from the Metropolitan Opera, the Chicago Ballet, and producers William A....
    • Miracle, The

    •  
    • Norman Bel Geddes's rendering of The Worship of the Madonna scene for The Miracle as staged by Max Reinhardt. In the early 1920s Norman Bel Geddes fierce drive brought him several commissions from the Metropolitan Opera, the Chicago Ballet, and...
    • Miracle, The

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    • Sister Beatrice in The Miracle. In the early 1920s Norman Bel Geddes fierce drive brought him several commissions from the Metropolitan Opera, the Chicago Ballet, and producers William A. Brady, Morris Gest, and Winthrop Ames. His name was firmly...
    • Miracle, The

    •  
    • Norman Bel Geddes's costume design, Gypsy Woman. In the early 1920s Norman Bel Geddes fierce drive brought him several commissions from the Metropolitan Opera, the Chicago Ballet, and producers William A. Brady, Morris Gest, and Winthrop Ames. His...
    • Miracle, The

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    • Norman Bel Geddes's costume design, Grooms' Man. In the early 1920s Norman Bel Geddes fierce drive brought him several commissions from the Metropolitan Opera, the Chicago Ballet, and producers William A. Brady, Morris Gest, and Winthrop Ames. His...
    • Santa Maria delle Grazie

    • Choirs (Architecture) ;Domes ;Convents ;Church buildings ;Church architecture ;Architecture, Renaissance
    • Interior view, Choir and dome (begun 1493) ; transformed from a church into a chapel for the Sforza family, by Bramante

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