Overall view including the major sculptural groups (note the rich use of gilding, silver, precious marbles, and lapis lazuli as well as the ornamental bronze screen around the base of the tomb)
Pozzo's design for the Altar for the Tomb of S. Ignatius Loyola (one of twelve that he submitted) won the competition in 1695 to create an altar for the tomb of S. Ignatius Loyola in the left transept of the church of Il Gesu, a very prestigious commission. Pozzo became the artistic director while the Jesuit brother, Carlo Mauro Bonacina, supervised the considerable number of sculptors and craftsmen who worked on the project. A convex wall altar composed of an aedicula with composite columns and broken pediment is made sumptuous through rich sculptural ornamentation and the use of precious materials of marble, metals and lapis lazuli. Control of the subordinate details to the clear design remained decisive producing a chapel of great worth and beauty thereby reflecting the importance of S. Ignatius Loyola. The sumptuousness of the altar was meant to elicit awe and admiration to the worshiper as well as to honour the Jesuits' founding member, Ignatius Loyola. Research by Marlene Philion-Jacques (BA, in Art History), for Archivision
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Archivision Inc. (all images copyright Scott Gilchrist / Archivision.com)