Doorway, Palazzo di Venezia, Rome, 1891; Pencil, 10 x 7' (sight); S. & d. at lower right, C.R.M. / April, 1891, and Inscr. below, Doorway / Palazzo di Venezia / Rome.
In 1890 Mackintosh was awarded the Alexander Thomson Travelling Scholarship (£60) for the design of a Chapter House. He decided to visit Italy and in the following year left Scotland for London; then he went by sea to Naples, arriving on April 5th. Thereafter he sketched and painted an extraordinary range of subjects -- vases in Pompeii, campanili, tombs, baptisteries, doorways, mosaics, and pulpits, as well as entire buildings. Mackintosh's ability to observe and record the essential elements of his subject with swift, unerring precision should be noted. He used various media, and one of his innovations was to sketch his subject very lightly in pencil and then draw the shadows only in strong, transparent washes of colour. There is a subtle relationship between the Italian subjects and Mackintosh's architecture and interior design in Glasgow; it was unquestionably in Italy that he first learnt the real importance of color, texture and pattern; the significance of light and shade, and their control by the architect -- and the fundamental necessity of good detailing. Research by Thomas Howarth, Ph.D. for Archivision, 1993
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Archivision Inc. (all images copyright Scott Gilchrist / Archivision.com)