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Melencolia I

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Artist/Creator (1)	Durer, Albrecht (1471-1528)
Artist/Creator (1).Nationality	German
Title/Caption	Melencolia I
Date of Work	1514
Notes	Durer's Melencolia I is one of three large prints of 1513-14 known as his Meisterstiche (master engravings). The other two are Knight, Death, and the Devil and Saint Jerome in His Study. Though they do not form a series in the strict sense, the prints do correspond to the three kinds of virtue in medieval scholasticism -- moral, theological, and intellectual -- and they embody the complexity of Durer's conception. Melencolia I is a depiction of the intellectual situation of the artist and is thus, by extension, a spiritual self-portrait of Durer. In medieval philosophy, each individual was thought to be dominated by one of the four humors; melancholy, associated with black gall, was the least desirable of the four, and melancholics were considered most likely to succumb to insanity. Renaissance thought, however, also linked melancholy with creative genius; thus, at the same time that this idea changed the status of this humor, it made the self-conscious artist aware of the terrible risks that came with his gift The winged personification of Melancholy, seated dejectedly with her head resting on her hand, holds a caliper and is surrounded by other tools associated with geometry, the one of the seven liberal arts that underlies artistic creation -- and the one through which Durer hoped to approach perfection in his own work. An influential treatise, De occulta philosophia of Cornelius Agrippa of Nettesheim, almost certainly known to Durer, probably holds the explanation for the number I in the title: creativity in the arts was the realm of the imagination, considered the first and lowest in the hierarchy of the three categories of genius. The next was the realm of reason, and the highest the realm of the spirit. It is ironic that this image of the artist, paralyzed and powerless, should exemplify Durer's own artistic power at its superlative height.
Technique/Process	engravings (prints)
Materials/Medium	Engraving
Dimensions	plate 9-1/2 x 7-3/8 in. (24 x 18.5 cm)
Period	Northern Renaissance
Culture	German
Location.Current Site/City & Country	New York (N.Y.)
Location.Current Repository	Metropolitan Museum of Art
Repository Notes	Harris Brisbane Dick Fund , 1943
Subject	Prints, German Prints, Renaissance Prints -- 16th century Intaglio prints Engravings (prints) Allegories Symbolism in art Allegory (artistic device) Figures winged Putti (motifs) Tools Instruments Compasses (Mathematical instruments) Balances (scales) Balances (Weighing instruments) Hourglasses Magic squares Rainbow Bells (idiophones) Bells in art
Publisher	The Metropolitan Museum of Art
Publisher.Location	New York (N.Y.)
Credit Line	Image [copyright] The Metropolitan Museum of Art
Reference Number	Met-05918
Collection Title	Prints (Art and Art History Department images)
Collection Information	Collection administered by Visual Resources manager, Architecture Library (402) 472-1193
Copyright Information	http://contentdm.unl.edu:2000/ah_copyright.html

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